Chloe MooreKayleigh Glynn grew up surrounded by electronic music, with a family that lived and breathed the scene.
From Kayleigh Glynn‘s first gig at Karma Stone, she knew DJing was where she belonged. Over the past decade, she’s poured her heart into every set, building high-energy performances that connect with people and get the crowd moving.
Sharing stages with artists like Jazzy and Belters Only, Kayleigh has earned her place through sheer dedication and passion. Her sound reflects both the music she grew up with and her own creative twist, making her a standout talent in Dublin’s electronic scene.
Kayleigh, firstly, thank you so much for sitting down and chatting with us. Let’s start from the beginning, what got you into DJing, and when was the moment you realised that you wanted to pursue this path?
I grew up in a family that was heavy into electronic music, with my mam being a raver. Surrounded by house classics and hard house, my love for music grew from an early age. The moment I played my first gig at Karma Stone, I instantly knew that DJing was it for me. My passion and love for it have always been strong.
You’ve performed at major festivals like Electric Picnic and recently played Ibiza Rocks alongside Jazzy. What did those stages teach you about curating a set for such diverse crowds?
When it comes to playing on stages like festivals, the crowd is always mixed, and there may even be people attending their very first event. That’s why I think it’s really important to build a set that connects with a diverse audience. I always plan my sets in advance, but I also keep playlists filled with different genres so I can switch things up depending on the vibe.
How has your experience been navigating the Irish DJ scene as a woman, especially when it comes to getting booked on lineups?
When I started out 10 years ago, the scene was pretty male-dominated, which could feel intimidating when you were just beginning. Now, though, you can see more women entering the industry, which has opened up more pathways for us. I’ve always told myself to work hard, and that mindset has led to many bookings since I first started.
Have you ever felt like you had to prove yourself more just because of your gender? How do you deal with that pressure?
To be completely honest, I don’t feel like I’ve ever had to prove myself to anyone. I like to think that when I get booked for a show, it’s because of the hard work I’m constantly putting in, not just because I’m a female. I’ve always seen myself as my own competition and aim to better myself every day. It’s also amazing to see so many female artists in the scene now, smashing the biggest shows in the country. When I first started out, there were only a handful of us.
Do you feel like social media helps level the playing field, or does it create even more pressure for women to maintain a certain image?
Social media plays a huge role in the music industry; it’s one of the biggest ways to build your audience and get recognised. I think it’s important to stay true to yourself and be authentic, whether that’s through your image or the music you create.
Have female-led collectives or safe-space nights played a role in your journey? What spaces or crews have made you feel most seen and supported?
Jazzy is a big inspiration for me. She’s shown me incredible support, playing my tunes, having me support her on tour, and getting me onto massive gigs. Another huge one for me is Belters Only; they’ve also given me amazing support throughout my career.
You’ve been hailed as one of Dublin’s most technically skilled and varied house selectors. How do you define your musical identity? What drives your track selection- club energy, musicality, nostalgia?
I always play high-energy sets that make me stand out. When I’m performing, I like to build my set carefully, making sure each track adds more energy than the last. My tune selection is always designed to match and elevate that energy.
Your recent release “Move Ya Body” is such a fun, high-energy track. What was the vibe you were going for when you started working on it?
I love that style of music, I feel like it really matches my personality, and it’s the kind of sound I grew up around. When I started working on Move Ya Body, I instantly knew I wanted to make a track on that level, adding driving elements that made it full of energy, while still putting my own twist on it.
Lastly, when you look back on your first gig versus where you are now, what moment makes you most proud?
The progress I’ve made definitely makes me proud, especially since the passing of my late boyfriend, Steo. It’s been really difficult, but I’ve worked hard, and the shows I’ve been booked for remind me of how far I’ve come since the beginning.
