Chloe MooreWe spoke to Trypdø ahead of his show at Index with Fatima Haji tonight, chatting with an artist who has quickly become one of the most talked about names to emerge from Dublin’s hard techno circuit, a scene that thrives on intensity and innovation.
Born in Brazil and now rooted in Ireland, he has built a sound that is as heavy as it is distinctive, forging together the grit of grunge and metal with the drive of hard techno. His tracks have earned the support of international legends such as Sarah Landry, Azyr, and Nico Moreno, while his collaboration with Mark Blair on the Underworld EP showcased his ability to stand shoulder-to-shoulder with some of the scene’s most respected producers.
But Trypdø’s influence extends beyond the studio and the stage. His self-started project, Slipper Hits, has transformed a living room into a fun platform for underground DJs, offering a space that is raw, authentic, and community-driven. With sold-out headline shows in China, an upcoming slot alongside Fatima Hajji at Dublin’s Index, and his first major festival appearance in the Netherlands on the horizon, Trypdø is proving that his vision reaches far beyond the confines of the local scene.
As we sit down to talk, it’s clear this is only the beginning of his journey, a journey defined by passion, persistence, and a determination to leave a mark on the global hard techno movement.
Firstly, thank you so much for sitting down with me to talk about all things music. Your tracks have been doing great lately and getting a lot of traction and plays from artists such as Sarah Landry, Azyr, and Nico Moreno. How does this feel?
It feels incredible, honestly. These are artists I’ve looked up to for a long time, so to hear my music being supported by them is surreal. It gives me real reassurance that my tracks are good enough and that they actually match a professional standard in the industry. I think a lot of producers, myself included, sometimes doubt if their music is really good enough, and seeing my tracks played out by these DJs gave me that answer. On the other hand, it can also be a bit tough. Big artists usually don’t give credit when they play your track, so sometimes I’ll see my music being dropped on huge stages or festivals without my name even being mentioned. It hurts a little, but at the same time, it pushes me to keep working harder until people can’t ignore who I am.
Was there a specific moment or experience that made you want to step behind the decks for the first time?
Yeah, it actually happened here in Dublin during COVID. That was the first time I ever heard techno, and it completely changed me. I remember going to those raves and feeling this insane energy, this rush of adrenaline that I had never felt before. The connection with the music was so powerful that when I got home after that first rave, I immediately started looking up what DJs actually do. From that moment, I just knew I wanted to be the one behind the decks, creating that same feeling for other people.
You’re originally from Brazil and now based in Dublin, working closely with the Euphonic Collective. How have both cultures shaped your sound and approach to the scene?
Euphonic is an amazing collective, and I’ve been with them since the very beginning of their journey. Before that, I was part of other collectives that unfortunately don’t exist anymore, but they were also an important part of my start here in Ireland. I really respect the work Euphonic is doing for the hard dance scene. They’re focused, professional, and really pushing things forward. To be honest, I didn’t have much electronic music experience back in Brazil. I liked a bit of psytrance, but I was too young to really go to events. I moved to Dublin when I was 19, so it was here that I discovered techno and the underground culture. My productions definitely reflect that mix. I love blending hard techno with elements of Brazilian funk, which is something from back home that I enjoy bringing into my sound.
Your style is defined as “Lover of the dark side, Grunge and heavy bass, with loads of energetic and fast tunes.” How do these elements influence your production?
I’ve always been a big fan of metal and darker, harder styles of music. Grunge, especially, is a genre I really connect with. At the same time, I’ve always loved high-energy tracks, so when I first got into electronic music, I was listening to a lot of euphoric hardstyle, hardcore, and Frenchcore. I wanted to mix those two worlds together, the raw, dark atmosphere of metal and grunge with the drive and energy of harder electronic music. That’s why many of my tracks have that darker edge, with lots of reverse bass and intensity, and sometimes I even bring metal elements directly into my sound.
You’re known for high-energy sets with reverse-bass intensity. What do you aim to make people feel when your track drops mid-set?
When people come to my sets, I want them to feel free to be themselves. I want to lift their energy, give them that rush of adrenaline, and keep them on edge, not knowing what’s coming next. Most of all, I just want people to go crazy and completely lose themselves in the moment.
You worked on Grim Reaper with Mark Blair for the UNDERWORLD EP. What made that project stand out for you?
The collaboration with Mark Blair on the Underworld EP was a big surprise for me. I had been sending him my music for over a year, and he was always downloading, supporting, and playing my tracks, which already made me super happy. One day, I reached out and said, “You’ve been playing my music for a while. What do you think about working on a track together?” To my surprise, he agreed, and he was genuinely excited about it. He mentioned he was working on an EP and said our track could be part of it. The main idea of Grim Reaper was mine, so I sent him the stems, but he did an insane job on it and really elevated the track. Honestly, working with someone like Mark, who has such a big name in the hard techno scene and such respect here in Ireland, was an immense pleasure for me.
You recently played a sold-out headline show in China, playing in Shanghai, Beijing and Tokyo- how did that come about, and how did it feel to play so far from home?
Yeah, this was actually my second time touring in China, and it was amazing. I performed at an event called Bloodbath, which was a collaboration between two clubs, Abyss in Shanghai and Groundless Factory in Beijing. Both shows were completely sold out, the energy was insane, and the crowd was fantastic. It’s such a crazy feeling to be on the other side of the world and realise that people know me and actually want me to perform there. Honestly, it’s one of the most amazing feelings I’ve had in my career.
You’re set to support tech-techno powerhouse Fatima Hajji at INDEX in Dublin on September 5th. What’s your mindset going into such an exciting slot, and how are you preparing for that moment?
It was a big surprise when Index reached out. It’s my favourite club in Dublin, and with the new location and big stage, I can’t wait to play there again. Fatima Hajji is a huge inspiration, so my focus is on creating a set that’s a strong opener for her but still shows my style and energy. I want to leave a mark so people remember me and hopefully get the chance to come back.
What inspired you to launch the “Slipper Hits” series? What was the core idea behind transforming your living room into a platform for underground DJs?
Slipper Hits really came from a chain of small things. I had just moved into a new house with my girlfriend and a friend, so noise wasn’t an issue anymore, and I finally got myself a pair of CDJs I’d wanted for years. After throwing my first after-party at home, I thought, why not use this setup to give something back to the community? A space where DJs in Dublin, Ireland, and even beyond could play, connect, and be seen. The other side of it is that I’m not naturally very outgoing, so I wanted a way to connect with more DJs and people in the scene without having to constantly be out. To make it more fun and different, I came up with the pyjama-style vibe. No need to dress up, just come as you are, play like you’re at home, and enjoy it. It’s been really fun so far, and I’ve met some amazing people through it.
You’ve featured a diverse range of artists-Rowdiboi, DEZ THE MENACE, MUSH, Eoin Wood, ONEANDAH4LF. How do you select who to invite? What grabs your attention when choosing talent?
To be very honest, at the beginning, I only invited people I was close with, people I knew personally. Since it was happening in my own house, I didn’t want to start by bringing in people I didn’t know yet. But as the series grew, I opened it up to DJs in the scene that I really respect and wanted to give a platform to. For me, it’s about artists who have a strong music selection, good presence, and who are ready to really give a show when they play. Slipper Hits is strictly invitation-only, so it’s my personal curation. I’m always watching the scene and looking for new talent to bring in and showcase.
Finally, what’s next for TRYPDO? Are there any upcoming projects, releases, or gigs you’re especially excited about?
I’ve been working on a lot of things recently. I have collaborations in the works with some really big artists here in Ireland, as well as some huge international names, which I’m very excited about. This September, I’ll also be playing my first major festival in the Netherlands, Space Safari, which is a huge milestone for me. And there are a few more international shows coming up as well, but I can’t share details just yet until they’re fully confirmed.
